MATERIAL COMPONENTS
He is a “man
of substance”
they say but what
substance:
ichor, sluice,
& bitumen,
Trammeled, pilloried
slicks of …
*
Reflect
something un
toward, master
of no art,
holder, to some
degree, a handy
bit o’ something
human. Sounds
so dirty.
We have an inter
section, a vow I’ll meet
you at the second
staple, buried head-
down in the fold.
Just me typing from a void into this box and out to the world for you. A not very bold experiment in old school democracy. Free press. Free peas. Equal helpings of panache and bloodlust. Seeking followers and detractors. No purchase necessary.
Showing posts with label 5-minute poem. Show all posts
Showing posts with label 5-minute poem. Show all posts
Wednesday, October 10, 2012
Wednesday, October 3, 2012
Another Five-Minute Poem
Here's another Five-Minute Poem, written for my friend, Jess H. I met Jess about 15 years ago. We were fast friends for several months. Then we had a falling out of sorts, a falling out that neither of us really remembers. Details are foggy and undetailed. No matter. We've recently reconnected. She's a single mom living in Memphis, and she sent me some Memphis coffee beans. I sent her this poem.
The South (ern California girl) Remembers
You are not a memory
but the realization
of a lapse some century
in the making, a bottle-
red explosion,
like a Chinese finger
trap, my song-filled trial
& error come back to haunt.
Some field makes a BBQ pit
you standing next & over
a page behind the stand-still.
Your child is crawling inside
the television not to escape
but to find a place to sit.
The world sings a fine motion
without words, smoke rings
making haloes around
the people over there, everyday
messengers who dress like us.
The South (ern California girl) Remembers
You are not a memory
but the realization
of a lapse some century
in the making, a bottle-
red explosion,
like a Chinese finger
trap, my song-filled trial
& error come back to haunt.
Some field makes a BBQ pit
you standing next & over
a page behind the stand-still.
Your child is crawling inside
the television not to escape
but to find a place to sit.
The world sings a fine motion
without words, smoke rings
making haloes around
the people over there, everyday
messengers who dress like us.
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